Sunday, April 11, 2010

Response to Tyler's "Serious art"

I completely sympathize with your Frankenstein experience. In high-school we spent entire classes dissecting Holden Caulfied's red hunting hat. (While all I wanted was someone to dissect him so he'd stop whining.)
I think that the over-analysis of some works of literature comes from the belief that all narratives have significant philosophy hidden within them. In my American Rennaisance class, (with Prof. Langston, highly recommended,) we're analyzing Emerson and Thoreau. These two authors wrote their opus magnums as works of philosophy with excellent prose. While the next authors we inspected were Melville and Hawthorne, these authors used narrative as a way to slip in obvious political and philosophical comments. These are legitimate uses of intense literature analysis. But when this idea gets applied to every work of literature we can certainly ruin it.
But, how can we tell when it is appropriate to use these techniques? If we don't intensly analyze each piece of great literature we may miss something important!

2 comments:

  1. Analysis of good literature is always superfluous. A good author will be able to convey to you his meaning, his philosophy, without you having to dissect, line by line, his narrative.

    I don't mean to sound like Tolstoy here. All I am saying is that you don't have to worry about missing something in good literature, for if it is good, you won't miss it.

    I actually think that analysis can ruin a good work of literature, much like the mechanics of a magic trick make it less impressive.

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  2. I love that simile.
    But we must consider that there are some authors that believe that they communicate better through metaphor than "straight talk."
    For instance, Ken Keysey expressed his hatred towards women, not by having a character hate women, but by making characters that filled out his worldview. Nurse Rachet was the women who were ballbreakers. The other nurses were stupid and compliant. The non-nurses were promiscuous. Without further analysis we may miss the fact that the characters function as types for all the women that Keysey knew.
    On a side-note, Keysey had some real issues.

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